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Throughout The Garden Against Time, Laing returns to the concepts of gates and walls: while she sees the need for secrecy, or at least privacy, as having been crucial for the formation of what she calls a queer “counter-state” (213) in the face of oppression, she is well aware that borders and barriers to access are tools of oppression as well.
See What I Mean? is a collection of persona poems and flash pieces that traverse American history, politics, and society through a matter-of-fact diction characteristic of the poetry of witness by Charles Reznikoff. Like Reznikoff’s poetry, Rammelkamp’s poems look at and document the overturning of Roe v. Wade, the COVID-19 pandemic through the lens of race, gender, and class.
Just as her father grapples with the loss of language, the author’s children are in the process of acquiring it. Both experiences raise complex questions about the self: its definition, its boundaries, and how it is shaped by the words we inherit or create.
It is a book that truly only she could write. Reading it makes you feel like you are getting a lens into her inner world, growing up as a young girl in an immigrant family, during 9/11 and the following years.
Blackford’s knowledge is wide-reaching and he constructs his arguments carefully, with evidence that encompasses history, law, and philosophy, making it clear that the first step in combating intolerance is to understand how and why it arises.
The short book is beautifully written and visually arresting, combining memoir, imagery, fiction, poetry, and the linking of two very different lives that meld and weave together like the names they give themselves – Hessian and Muslin.
Every story, every journey has a beginning, a middle, and an end. So with this fine book of poems. Its end is a reaching out. To whom? Herself, to other women, to humanity.
Paradoxically, the poet is at home and not at home, as alienated from himself as he is from his apartment and the complex of apartments in these poems. As a sequence they have a structure of irony. The poet’s self-conflict is expressed in his descriptions of neighbors and people who work at the complex.
Jacqueline Rule makes good use of her legal experience in Luke’s story, which is tragic, spotlighting just how broken the foster system he ends up cycling through is, or how brutal the legal detention system, and the way in which it traumatises rather than helps the young people caught in it.