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Cannes Dispatch – Anora / Caught by the Tides

The competition at this year’s Cannes Film Festival has not been the strongest, a look at any jury grid will tell you that. Titles that received (near-)universal praise like last year’s The Zone of Interest or Anatomy of a Fall have proved hard to find. Also of note is the fact that some of the films this year have gone very broad or very niche, which likely contributed to the polarized reactions. Sean Baker, for example, made the most multiplex-friendly film of his career with Anora, a lively, raunchy, very funny comedy that should reach a much wider audience than his previous works. Written and...

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Awards News

HamptonsFilm Announces Lineup for 2024 SummerDocs Series

HamptonsFilm announced today the annual SummerDocs series will return for its 16th annual edition. This summer’s presentations will feature a selection of the year’s most anticipated documentary features from leading industry storytellers. The series will kick off with a screening of Netflix’s SKYWALKERS: A LOVE STORY, directed by Jeff Zimbalist and co-directed by Maria Bukhonina, on Friday, July 5th, at...

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Cannes Dispatch – Armand / The Apprentice

Schools are fertile ground for drama because they’re like a microcosm where vastly different personalities big and small clash on a daily basis. Premiering in the Un Certain Regard sidebar, Norwegian director Halfdan Ullmann Tøndel’s feature debut Armand aptly uses the school setting to consider if sometimes it’s the grown-up’s that are the problem rather than the kids they should...

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Cannes Dispatch – The Substance

One of the perks of covering film festivals is you get to watch films without knowing anything about them. In the age of months- if not year-long film marketing, the element of surprise has become something of a rarity. I’m bringing this up because I will probably always remember the experience of watching French writer/director Coralie Fargeat’s The Substance today....

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ADTV

Emma Corrin Talks the Romance of ‘A Murder at the End of the World,’ Whether There’s a Universe Where Bill and Darby Could Have Gotten Back Together in Iceland

Awards Daily talks to A Murder at the End of the World's Emma Corrin about why Bill had to be dead in order for Darby to be ready for a relationship with him. For Emma Corrin, playing Gen Z super-sleuth Darby Hart on FX on Hulu's A Murder at the End of the World was quite the departure after playing...

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‘Lessons in Chemistry:’ Production Designer Cat Smith Created a Period Authentic, Lived-In World for Elizabeth Zott

Production designer Catherine (Cat) Smith's work can be found in some of the buzziest, most critically acclaimed series of the past decade. She envisioned the medical start-up world of Theranos in 2022's The Dropout as well as set the stage for horror with the Yellowjackets pilot. Her work in Transparent spanned multiple eras and satirized the modern-day Los Angeles lifestyle....

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‘A Murder at the End of the World’ Production Designer Alex DiGerlando Discusses How They Created That Futuristic Hotel

Awards Daily talks to FX on Hulu's A Murder at the End of the World production designer Alex DiGerlando about how the hotels play an important role on the series and how Iceland mirrors Utah. Hotels are important set pieces in A Murder at the End of the World. First, there's the dingy one that Darby (Emma Corrin) and Bill (Harris...

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