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            [post_date] => 2023-12-13 17:01:46
            [post_date_gmt] => 2023-12-13 17:01:46
            [post_content] => [caption id="attachment_219048" align="alignnone" width="536"]<img class="wp-image-219048 " src="https://poetrysociety.org.uk/wp-content/uploads/2023/12/24-05-09-Allott-Lecture-C.png" alt="" width="536" height="301" /> Don Mee Choi[/caption]

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<h2><strong>The Poetry Society Annual Lecture / University of Liverpool Allott Lecture</strong></h2>
The Poetry Society is delighted to announce that multi-award-winning poet Don Mee Choi will be making a rare visit to the UK to give the 2024 Poetry Society Annual Lecture.

This is the latest event in the prestigious Kenneth Allott / Poetry Society Annual Lecture series commissioned in collaboration with the Department of English, University of Liverpool. Each year, the series introduces one of the leading voices in international poetry to share a new lecture, accompanied by a short performance of their poems.

Born in Seoul, South Korea, Don Mee Choi is a highly innovative writer. Her work slips between forms, mixing poetry, lyric essay, memoir, and visual image. Incorporating archives, photographs and fragments of memory, Choi’s poetry explores historical events and the human impact of war. Her books include <em>DMZ Colony</em>, which won the 2020 National Book Award for Poetry, <em>The Morning News Is Exciting</em>, and <em>Mirror Nation, </em>which is forthcoming from Wave Books in 2024. Her translations into English of Kim Hyesoon include <em>Autobiography of Death</em> which received the 2018 International Griffin Poetry Prize.

The Poetry Society’s Annual Lecture Series has been proud to commission many of the most influential voices in international poetry. Poets who have given earlier lectures include Ilya Kaminsky, Anne Carson, Valzhyna Mort, Les Murray, Eavan Boland, C K Williams, Rita Dove, Terrance Hayes, Paul Muldoon, and Charles Simic.

<strong>This is an online version of the in-person event at the Tung Auditorium. Tickets for the in-person event are now available via the Tung Auditorium. <a href="https://thetungauditorium.com/events/allott-poetry-society-annual-lecture" target="_blank" rel="noopener">Details can be found here</a>
</strong>

For further information, please contact <a href="mailto:[email protected]">[email protected] </a>

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            [post_date] => 2024-04-23 14:01:57
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            [post_content] => Join <strong>Polly Atkin </strong>and <strong>Young Poets Network </strong>for a free online writing workshop, where we'll be writing in response to the soundscapes of the world around us: think birdsong, sound poetry, and more... 

As part of the <a href="https://ypn.poetrysociety.org.uk/workshop/soundscapes-and-songworlds-a-poetry-challenge-with-people-need-nature/">Soundworlds and Songscapes challenge</a> on <a href="https://ypn.poetrysociety.org.uk/">Young Poets Network</a>, poet Polly Atkin will be running a poetry workshop for 14-25 year olds, inspired by the sounds of nature. You'll ignite your imagination and find new ways of thinking about the role sound plays in poetry. After the workshop, we encourage you to keep editing your work and submit it to the challenge, which closes on 17 May. 

<b>You will receive a Zoom link 24 hours in advance of the workshop. </b>Email queries to <a href="mailto:[email protected]">[email protected]</a>. 

<strong><img class="size-medium wp-image-237131 alignleft" src="https://poetrysociety.org.uk/wp-content/uploads/2024/04/Polly-Atkin-headshot-533x800.jpg" alt="" width="533" height="800" />Polly Atkin</strong> (FRSL) is a poet and nonfiction writer based in the English Lake District. She has published three poetry pamphlets and two collections – <em>Basic Nest Architecture</em> (Seren: 2017) and <em>Much With Body</em> (Seren: 2021). Her nonfiction includes<em> Recovering Dorothy: The Hidden Life of Dorothy Wordsworth</em> (Saraband: 2021), a Barbellion-longlisted biography of Dorothy’s later life and illness, and a memoir exploring place, belonging and disability, <em>Some Of Us Just Fall: On Nature and Not Getting Better</em> (Sceptre: 2023). In 2023 she and her partner took ownership of historic Grasmere bookshop Sam Read Bookseller.

 
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            [post_date] => 2024-04-30 15:26:54
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            [post_content] => [caption id="attachment_238847" align="alignleft" width="620"]<img class="size-medium wp-image-238847" src="https://poetrysociety.org.uk/wp-content/uploads/2024/04/WillPORT_05-620x800.jpg" alt="Will Harris's author photo of him in a park." width="620" height="800" /> Photo credit: Siqi Li[/caption]

<em>The Poetry Society is pleased to present its 2024 programme of workshops, in which expert poets will lead generative workshops on a topic which inspires and intrigues them. Our May workshop is <strong>Monstrosity as Diasporic Form </strong>with <b>Will Harris.</b></em>

‘What is born in England but is never English?’ What grew a tail? What leaned over and rested its hands on its knees? An immigrant has a set of complex origins, is from elsewhere; the monster is made, on the other hand, from local mixtures of organic and inorganic materials, repurposed teeth, selenium, lungs, pink lightning, public health concerns. [...] I thought I was writing about an immigrant. I was writing about a monster.

—Bhanu Kapil, <em>Ban en Banlieue</em>

Who rests best as conspiracy // Nostalgia // Uncatalogued // Monster

—Eunsong Kim, <em>Gospel of Regicide</em>

In this workshop, join Will Harris to take the patched-up materials and hand-me-down traces of other struggles, lost homes and lives to construct new monsters of your own.

<strong>Will Harris</strong> is a London-based writer. He is the author of the poetry books <em>RENDANG</em> (2020) and <em>Brother Poem</em> (2023). He co-translated Habib Tengour’s <em>Consolatio</em> with Delaina Haslam in 2022, and helps facilitate the Southbank New Poets Collective with Vanessa Kisuule. <em>Siblings</em>, a conversation between Jay Bernard, Mary Jean Chan, Harris and Nisha Ramayya, is published by Monitor Books.

<em>This workshop takes place in-person at The Poetry Café, London. Suitable for all levels of writer. 18+ only.</em>
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First published in The Poetry Review (Winter 2023, 113:4)

No ecclesial song, no clapping

by Eve Esfandiari-Denney

Watching an electronic deep-sea claw failing
to pick the stalk of a dandelion awakens me
to where I am: on YouTube
at a party queuing for the bathroom three
weeks into a breakup wearing a little eye
shadow but still no closer to a sense of my epitome.
Yet, look. I’ve eaten one good green meal.
Tended to my Landlord’s cat dish. Small
tailed Souki, with her I vocalise:
‘When is my time to be received as portal?
To offer the pieces of myself and hear
the final reply like, I’ll take them!’
Oh god.

I’m literally flowing through the solar system.
Bravely opening my words to show
the lie-dials, the anxiety mites.
And I don’t lounge around, I don’t even
call for help. I just carry a heavy bag
encasing an abundance of disorganised notes.
They are seeking solution, which I’ve been told
could arrive as affirmation, yet currently
surmount to a lack of ecclesiastical song.
I’ve made calls about it. Reached out.
But only the weird ones reply.
It was then it became determinate:
my married friends are no longer legible.
Yet I go on, my life pooling
and collating with spirit.
This is where the work begins I guess
so I invest in my soul intention, return
to my Landlord’s house to check on Souki.
Her owner, my Landlord, appears from the kitchen.
She’s back from her holiday to the Philippines now
so we watch Friends together.
It is an act of sublimation.
Like she’s telling me: A life torn up was once built.
I tell myself the same thing, but am distracted
spreading my hands apart to check
for any remote sign they are clapping.
I want to trust I can half ascend the room
airing out the fact of pre-recorded laughter.

The Poetry Society was founded in 1909 to promote “a more general recognition and appreciation of poetry”.  Since then, it has grown into one of Britain’s most dynamic arts organisations, representing British poetry both nationally and internationally.  Today it has more than 5,000 members worldwide and publishes The Poetry Review.

With innovative education and commissioning programmes and a packed calendar of performances, readings and competitions, The Poetry Society champions poetry for all ages.

More about the Poetry Society…