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“It’s not like Bach, where you had better play the notes correctly,” Fleck says. “In the case of Rhapsody, it had been done so many ways and with the blessing of [Gershwin].”

(Photo: Hazel Coonagh)

Béla Fleck Remagines ‘Rhapsody In Blue’

Over the course of his remarkably eclectic, multiple-Grammy-winning career — one that stretches across four decades — banjo virtuoso Béla Fleck has boldly, almost defiantly,…




Myles Wright’s Gaming Music

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Miguel Zenón

Música de Las Américas
(Miel)


Jon Irabagon
Rising Sun
(Irabagast)


Brian Charette
Jackpot
(Cellar Live)


Harish Raghavan
In Tense
(Whirlwind)


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Matt Wilson’s Good Trouble

Good Trouble
(Palmetto)


Three Story Sandbox
Artful Dodgers
(Tall Grass)


Isaiah Collier & The Chosen Few
The Almighty
(Duality Suite)


Cannonball Adderley
Burnin’ In Bordeaux: Live In France 1969
(Elemental)


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Albert Ayler

Albert Ayler: The Truth Is Marching In

In a restaurant-bar in Greenwich Village, tenor saxophonist Albert Ayler was ruminating on the disparity between renown and income. In his case, anyway. Covers of his albums are prominent in the windows of more and more jazz record stores; references to him are increasingly frequent in jazz magazines, here and abroad; a growing number of players are trying to sound like him.

“I’m a new star, according to a magazine in England,” Ayler said, “and I don’t even have fare to England. Record royalties? I never see any. Oh, maybe I’ll get $50…


Growing Up Monk




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May 2024
Stefon Harris
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