Artist’s Statement
In this post-September 11th age, drawing upon studies in visual communications and anthropology, I aim to obscure, disorient, re-orient and engage the viewer to new angles of understanding, using graphic design as a force for social change and promoting a peaceful coexistence.
Exhibition Description
This is an 18 x 18 foot four-channel video and audio installation with eight large hanging panels on mylar and satin paper, large sandblasted acrylic dome, hung with monofilament from a metal grid and a large printed laminated floor text.
Se(a) Crossings: Time in the midst of the pressures of chaos.
Multi-channel Video/Audio installation by Mara Jevera Fulmer, 2005
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing, opening
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing, opening
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing, opening
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing, opening
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing, accompanying artist’s book
Video is projected into a mirror which bounces the image down into a sandblasted acrylic dome hanging below.
Se(a) Crossings installation, Kresge Art Museum, MSU, East Lansing
Water Sequence Video
Fiji-Side Video
Flint-Side Video
Time Poem II Video
Time Poem I (floor)
Installing the Exhibit
Technical Notes
Acknowledgements
Mara Jevera Fulmer 